By Carol Montparker

ISBN-10: 0585288321

ISBN-13: 9780585288321

ISBN-10: 1574670395

ISBN-13: 9781574670394

Those intensely own and perceptive essays discover the author's lifestyles as a pianist - training, appearing, educating and writing - yet they can be the concepts and reflections of any artist. They recount the demanding situations, rewards and joys of her studies in her selected career.

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Moreover, music, of all the arts, parallels the basic rhythms of life with its patterns of ebb and flow. It is so related to our systems that it has been proven to affect our blood pressure, metabolism, and pulse. Music makes us want to dance and makes our bodies try and match its tempo, while having a potent effect on our emotions. The reason is that music is closely related to the very thing from which it comes: music is an extension of nature. The inspiration that composers have drawn directly from nature has been well documented.

Their little cribs were steps away from the living room in the modest studio apartment of early married life, and in that small space we crammed chamber ensembles of every permutation, masterworks mingling with the very air they breathed. <><><><><><><><><><><><> With the birth of my first grandchild I found myself musing about how it is that children are born or become musical. Certainly this baby boy was loaded with musical genes from both sides of the family. If it is true that Glenn Gould's mother played classical plano recordings during her pregnancy, perhaps this baby's listening to cello music helped to cultivate musical sensibilities, shape his tastes, and give him a prenatal headstart in musical development.

One partner might have a chamber music temperament, the other a soloist's; the chamber music type's idea of a heavenly violin and piano duo might be the Mozart sonatas, while the soloist prefers a Wieniawski concerto. The twain do not easily meet, and such collaborations might lead to a soloist-type bopping a chamber-type on the head with his bow! Listening to someone's practicing is more difficult for a musician than for a nonmusician. One musician-spouse might want to verbalize her responses to a concert (between compositions), or squeeze her partner's hand; the other musician-spouse might be locked into an insulated world of concentration and resent Page 42 the intrusion.

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A Pianist's Landscape by Carol Montparker


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