By P. Gaal-Holmes
This accomplished old account demonstrates the wealthy variety in Nineteen Seventies British experimental filmmaking, appearing as a kind of reclamation for motion pictures and filmmakers marginalized inside of tested histories. An quintessential e-book for practitioners, historians and critics alike, it presents new interpretations of this wealthy and numerous background.
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Additional info for A History of 1970s Experimental Film: Britain’s Decade of Diversity
You could theoretically study painting from pictures and books and obviously that is not ideal but you could, to a degree, know these works. Now Questions of History 17 without seeing a film from beginning to end, you couldn’t know it. And there is a whole complex system of how works are circulated. 16 One of the issues specifically overshadowing historical accounts of 1970s experimental film is that many of these to a large extent became prejudiced by a lack of – and inaccessibility to – the primary sources: the films.
64 Again, this may well have been the case with certain films/filmmakers; however, this generalisation not only fails to account for the diversity in 1970s filmmaking, it also apportions out the history as if only two specific forms of filmmaking were evident in the decades. Clearly the neat sectioning-off of different types of filmmaking into temporal zones, with the alleged shift of focus – the ‘return to image’ – has informed (mis)readings relating to experimental film histories. 65 She further noted that filmmakers screening films in the ICA’s ‘A Certain Sensibility’ (1989) exhibition ‘marked a radical turn within British avant-garde film’.
1 Questions of History What are the decisions made when a historical moment is selected, contextualised within particular frameworks and used to narrate the past? What exactly is the evidence determining the ‘facts’ of history? 1 Should it admit to the sometimes arbitrary choices made by the historian who follows a hunch or a path with a head already full of ideas, but who through necessity gets momentarily side-tracked as new discoveries make themselves visible? What are the positioned approaches taken by historians, bringing their world-views to shadow the table where chosen sources are spread out for examination?
A History of 1970s Experimental Film: Britain’s Decade of Diversity by P. Gaal-Holmes